ARTH 1120 Prehistoric to Renaissance Art (Cr: 3)
Surrey
CRN SECTION TYPE DATES DAYS START END BUILDING ROOM INSTRUCTOR
10307 S10 Class 04/Jan - 08/Apr T 1000 1250 Surrey, Fir 128 Cserepes, Dana
Final exam 18/Apr - 18/Apr T 0800 1100 Surrey, Fir 128 Cserepes, Dana
From the Prehistoric period, to the world of the Ancient Greeks and Romans and through to the Early Renaissance, this course will examine th e impact of cultural, religious, political, societal and technological developments on visual art and culture of this era while exploring principal historical p eriods and moments of intersection with non-Western cultures.
ARTH 1121 Late Renaissance to 20th C Art (Cr: 3)
Surrey
CRN SECTION TYPE DATES DAYS START END BUILDING ROOM INSTRUCTOR
10898 S10 Class 04/Jan - 08/Apr M 1600 1850 Surrey, Fir 128 Cserepes, Dana
Final exam 11/Apr - 11/Apr T 1500 1800 Surrey, Fir 128 Cserepes, Dana
From the High Renaissance to the French Revolution and the Age of Impressionism and the early avant-garde, this course provides a selective survey of European and North American visual art and culture objects, including works of painting, sculpture, printmaking, architecture, and other art forms fro m the Late Renaissance to the 20th Century.
ARTH 1130 Introduction to Film Studies (Cr: 3)
Surrey
CRN SECTION TYPE DATES DAYS START END BUILDING ROOM INSTRUCTOR
10850 S10 Class 04/Jan - 08/Apr F 1600 1950 Surrey, Fir 128 Barenscott, Dorot
Final exam 21/Apr - 21/Apr F 1500 1800 Surrey, Fir 128 Barenscott, Dorot
This 4-hour class includes time for viewing films. From the dawn of moving pictures through to the present world of blockbuster franchise mo vies, this course focuses students on the history and development of world cinema and examines film as a visual language and art-making practice. Students will learn methods for exploring aesthetic and technical functions of film along with considering the social, political, and technological contexts of moving picture s.
ARTH 2126 Canadian Art (Cr: 3)
Surrey
CRN SECTION TYPE DATES DAYS START END BUILDING ROOM INSTRUCTOR
13033 S10 Class 04/Jan - 08/Apr M 1000 1250 Surrey, Fir 128 Cserepes, Dana
Final exam 11/Apr - 11/Apr T 0800 1100 Surrey, Fir 128 Cserepes, Dana
What makes a work of art distinctly Canadian? How can we distinguish Canadian visual culture from that of our global neighbours? This course will examine the development of Canadian art from the modern to postmodern and contemporary periods, investigating Canadian social, political, and multicultura l influences on visual art and culture, and visual language from one stylistic period to the next, one region to another.
ARTH 2222 Contemporary Art (Cr: 3)
Surrey
CRN SECTION TYPE DATES DAYS START END BUILDING ROOM INSTRUCTOR
13034 S10 Class 04/Jan - 04/Feb F 1300 1550 Surrey, Fir 128 Barenscott, Dorot
Class 06/Feb - 08/Apr F 1300 1420 Surrey, Fir 128 Barenscott, Dorot
Class 06/Feb - 08/Apr F 1430 1550 Surrey, Fir 136 Barenscott, Dorot
Final exam 21/Apr - 21/Apr F 1130 1430 Surrey, Fir 128 Barenscott, Dorot
How is the world of contemporary art a reflection on our broader culture? What can artists teach us about visualizing the complex world in w hich we live? This course will investigate social, political, cultural and technological influences on Western art from the mid-twentieth century to the present , exploring modern and contemporary painting, sculpture, architecture, printmaking, ceramics, photography, film, installation art, video art, digital art, perfo rmance art and other multi-media practices.
2017-01-05: Final exam added
2017-02-06: Class schedule changed
2017-02-06: Class schedule changed
ARTH 3130 Film and the City (Cr: 3)
Surrey
CRN SECTION TYPE DATES DAYS START END BUILDING ROOM INSTRUCTOR
13168 S50 Class 04/Jan - 04/Feb R 1900 2150 Surrey, Fir 128 Barenscott, Dorot
Class 06/Feb - 08/Apr R 1900 2020 Surrey, Fir 128 Barenscott, Dorot
Class 06/Feb - 08/Apr R 2030 2150 Surrey, Fir 122 Barenscott, Dorot
Cities have always been cast in starring roles in the movies, and in this course students will study the dynamic intersection of the filmic medium and the emergence of the city on the screen, exploring through several city-themed movies (shot in Paris, London, Berlin, New York, Hong Kong, Mumbai, Ri o de Janeiro, Los Angeles, Vancouver and many others) how filmmakers and the techniques of filmmaking from the early twentieth century to the present have been closely bound up in representing the visual, spatial, and mental contours of many of the world's best known urban places.
2017-02-06: Class schedule changed
Last updated: 08-May-2017 01:05:43