SELECTED JOURNAL ARTICLES & BOOK CHAPTERS
“Breaking the Fourth Wall: Exposing the Business of Contemporary Art in Documentary Film.” In Through a Glass, Darkly: Screening the Art World, edited by Temenuga Trifonova. Amsterdam University Press (book proposal under review).
"Learning from Las Vegas Redux: Steve Wynn and the New Business of Art.” In Spatial Transgressions In the Arts, edited by Gregory Blair and Noa Bronstein. Palgrave MacMillan (book proposal accepted and manuscript under review).
“Slow Photography.” In Sylvia Grace Borda: Shifting Perspectives, edited by Sylvia Grace Borda and Jordan Strom. Heritage House Publishing, 2020.
"Life - Caught in the Act! -Mobilizing the Cinematic Gaze at the 1896 Budapest World's Fair." In Meet Me at the Fair: A World's Fair Reader, edited by Celia Pearce. Carnegie Mellon University Press, 2014.
"Trafficking in Photographs: Representational Power and the Latent Hydra of Revolution” in History and Memory (Fall/Winter 2010). Indiana University Press and Tel Aviv University, Israel/USA.
“Built Space, Style, and the Dis/ordering of Fin de Siècle Budapest” in a special thematic issue on Nineteenth Century Exhibitions with Slavic Review (Fall 2010). University of Illinois, Urbana-Champaign, USA.
“’This is our Holocaust’: Deepa Mehta’s Earth and the Question of Partition Trauma.” in Mediascape: Journal of the Critical Studies Program at UCLA School of Film, Television, and Digital Media vol. 2 University of California, Los Angeles, USA, Spring 2006. Also published in Directions in Cultural History vol. 21 University of California, Los Angeles, USA, Fall 2006
“Producing the Spaces of the Future Past? A Critical Look at Imre Makovecz’s ‘Living Architecture.’” in Slovo: Inter-disciplinary Journal of Russian, Eurasian and East European Affairs 18.1. Maney Publishing and University College, London, UK, Spring 2006.
“Sensationalizing’ Mapplethorpe A Decade Later: What Dirty Pictures Can Show Us About ‘The Culture Wars’ Today.” in Entertext 5.1. (Special Issue “Art and the Market”) Brunel University, UK, Spring 2006.
“Spatial Politics and the Crisis of Modern Bodies: Founding and Finding Modern Hungary in Fin de Siècle Budapest.” in Envisioning: Studies in Image and Idiom (Special Issue “Identity and Space” 2003) Binghamton University, USA.
“Grand Theory/Grand Tour: Negotiating Samuel Huntington in the ‘Grey Zone’ of Europe.” in Postmodern Culture Journal 12.3 (2002) Johns Hopkins University Press, USA.
SELECTED EXHIBITION CATALOGUES AND GUIDES
“Tiko Kerr, Unframed.” Commissioned essay published in art catalogue for Tiko Kerr Art Exhibition “Reframed: Painting and Collage By Tiko Kerr” at Gordon Smith Gallery, May-August 2019.
“Lost In Transfer.” Commissioned essay published in art catalogue for Nicoletta Baumeister Art Exhibition “In the Realm of Perception” at Surrey Art Gallery, February-March 2019.
“Sylvia Grace Borda: Farm Tableaux and Google Street View: From Vancouver School to the Global Contemporary Art World.” Lead Essay in EU Visual Arts and Innovation Exhibition Catalogue, 2018.
“The Sign System of Ambivalence: “It’s Coming Sometime and Maybe…” Lead Essay in Exhibition Catalogue for “Dick Averns: Ambivalence Boulevard.” Vernon Public Art Gallery, Vernon B.C., July 2-September 25, 2009.
“Technology Laid Bare: Muybridge and the Machinery of Viewing.” Essay in Companion Guide for Studies in Motion: The Hauntings of Edwaerd Muybridge for the Kevin Kerr Play “Studies in Motion: The Hauntings of Eadward Muybridge,” Department of Theatre, University of British Columbia, Vancouver B.C. January 17-29, 2006.
SELECTED REVIEWS AND REVIEW ESSAYS
Review of Cuevas-Wolf, Cristina; Poggi, Isotta, eds., Promote, Tolerate, Ban: Art and Culture in Cold War Hungary (Los Angeles: Getty Publications, 2018) in HABSBURG, H-Net Reviews. June, 2018.
Review of Nathaniel D. Wood, Becoming Metropolitan (DeKalb: Northern Illinois Press, 2010) in Austrian History Yearbook (Spring, 2012) University of Minnesota, USA.
Review of Robert Hariman, and John Louis Lucaites, No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy (Chicago: University of Chicago Press, 2007) in Invisible Culture 13 (2009) University of Rochester, USA.
Review of Mary Gluck, Popular Bohemia: Modernism and Urban Culture in Nineteenth Century Paris (Cambridge: Harvard University Press, 2005) in Victorian Review 33.2 (2007) Victorian Studies Association of Western Canada, Canada.
“Rethinking Tradition as a Discursive Category.” Review Essay of Mark Salber Phillips and Gordon Schochet, eds., Questions of Tradition (Toronto: University of Toronto Press, 2004) in Left History 10.2 (2005) York University, Canada.
“Thoughts on Cosmopolitanism.” Review Essay of Carol A. Breckenridge, Sheldon Pollock, Homi K. Bhabha, and Dipesh Chakrabarty. Public Culture Volume 12.3: Special Issue on Cosmopolitanism. (Durham: Duke University Press, 2000) in Reconstruction: Studies in Contemporary Culture 2.4 (2002).
SELECTED CONFERENCE PRESENTATIONS AND SESSION CHAIRING
Session Co-Chair, “The Price of Everything: Commerce, Aesthetic, and the “Value” of Contemporary Art.” Universities Art Association of Canada Conference. Vancouver B.C. October 15-17, 2020.
Session Co-Chair, “Art History Pedagogy: Beyond the Slide Test—(Re) Assessment and Evaluation.” Universities Art Association of Canada Conference. Quebec City. October 24-27, 2019.
“Exposed Seeing: Cosmopolitanism and Modern Spectatorship.” European Association for Urban History (EAUH) 14th International Conference on Urban History. Rome, Italy. August 29- September 1, 2018.
“Canadian Culinary Imaginations: Understanding Canada Through the Art and Literature of Food.” Defining Canada, 1867-2017: Values, Practices and Representations. Congress of the French Association of Canadian Studies. Université Paris Diderot, France. June 14-16, 2017.
“Steve Wynn: Art Collecting and Exhibition, Vegas Style.” Private Collecting and Public Display: Art Markets and Museums. University of Leeds, UK. March 30-31, 2017.
"Convenience Matters: Douglas Coupland's Canadian Pantry." co-presented with Dr. Shelley Boyd. "Gastronomy, Culture, and the Arts: A Scholarly Exchange of Epic Portions." University of Toronto Mississauga. Toronto, Canada. March 12-13, 2016.
“Objects and Events: The Emergence of the Venice Biennale as Global Spectacle.” The Venice Biennale and the Art Market, the Venice Biennale as an Art Market: Anatomy of a Complex Relationship. IESA (Institut d’ Études Supérieures des Arts). London, UK. February 3-5, 2016.
“Georg Lukács, Radicalized Placemaking, and the Challenge of New Media to the History of Modern Art." College Art Association Conference. New York, USA. February 12-14, 2015.
Session Co-Chair, “At the Intersection of Art History and the Art Market: Navigating The Business of Art." Universities Art Association of Canada Conference. Ontario College of Art and Design, Toronto Canada. October 24-26, 2014.
“The Limits of Modernism: Exploring Discourses of Failure in the Historiography of Eastern European Film History.” Universities Art Association of Canada Conference. Banff Centre for the Performing Arts, Banff Alberta. October 20-22, 2013.
“Interfering Signals: Fractured Connectivity in the Disconnected Network of the Budapest Avant-Garde.” The Networks in Exile Conference of the International Society of Exile Studies, University of Vermont, USA. September 21, 2013.
“Object Lesson—The Case of Tobias Wong.” AAH Association of Art Historians 39th Annual Conference, University of Reading, UK. April 11-13, 2013.
“New Media Art and the Digital Turn.” Critical Themes in Media Studies Conference. New School Department of Media Studies, New York, USA. April 13-14, 2012.
“Picturing Contested Space and Subjectivity in the Urban Milieus of Fin de Siècle Budapest and Vienna.” College Art Association Conference. Los Angeles, California, USA. February 22-25, 2012.
“Intersecting Worlds of Commerce and Experimentation: Creating Legitimacy for the Art of Media.” Rewire: Conference on the Histories of Media Art, Science and Technology. University of Liverpool, UK, September 28-30, 2011.
“Exploring the Disconnected Nexus of the Budapest Avant-Garde.” European Network for Avant-Garde and Modernism Studies Annual Conference. Adam Mickiewicz University, Poznan Poland, September 9-11, 2010.
“Rearticulating Hungarian National Identity: The Constraints of Dualism and the Politics of Space in Fin de Siècle Budapest.” Cities and Nationialisms: Centre for Metropolitan History, Institute for Historical Research Conference. University of London. London, UK. June 20-22, 2010.
“The Unlikely Director: Paul Fejös and the Hollywood Connection, 1927-28.” College Art Association Conference. Los Angeles, California, USA. February 25-28, 2009.
“The Urban Mediascape and Contested Subjectivity: Preparing To See and Preparing To Be Seen.” The Intermedial City: Practices, Technologies, Imaginaries, 10th International Conference of the Center of Intermedial Research. Centre de Recherche sur l’Intermédialité (CRI) / Centre canadien d’études allemandes et européennes joint conference. McGill University, QU, Canada. October 9-11, 2008.
SELECTED INVITED PUBLIC LECTURES
“What Role Does Art Play in Rebranding the Vegas Gaming Experience?” The Eadington Fellow Colloquium, University of Nevada, Las Vegas. USA. April 26, 2019
“Tiko Kerr, Unframed and In Conversation.” Public Talk for Tiko Kerr Art Exhibition “Reframed: Painting and Collage By Tiko Kerr”at Gordon Smith Gallery, Vancouver, BC. Canada. May 25, 2019.
“‘What Stays in Vegas…’ Excess, Influence, and the New Business of Art.” Public Lecture for KPU Arts Speaker Series. Surrey BC Canada. January 16, 2019.
“What Can Artists and Filmmakers Teach Us About Scientific Visualization?” KPU and Science World Speaker Series. Vancouver BC. Canada. October 13, 2016.
"Emancipating Genius" TEDxKPU Speaker. Melville Centre for Dialogue, Kwantlen Polytechnic University. Richmond, BC. Canada. September 27, 2014.
SFU Philosopher’s Café Moderator for three sessions in Spring 2012: “Is there a role for the artist in social and political protest movements?” (February 1); “Is contemporary art intrinsically political?” (February 29); “What constitutes a broader definition of public art?” (March 28). Vancouver, BC. Canada.
Public Lecture and Tour of Exhibition, “Goya: The Disasters of War and Los Caprichos” held in connection with Art of Peace 2012 Symposium, The Reach Gallery Museum. Abbotsford, B.C. Canada. February 4, 2012.
“What is….19th Century Parisian Art and Culture?” Vancouver Art Gallery. Vancouver, BC. Canada. (Workshop to coincide with exhibition The Modern Woman: Drawings by Degas, Renoir, Toulouse-Lautrec and Other Masterpieces from the Musée d’Orsay, Paris). July 10, 2010
“Looking at the Painting of Modern Life.” Vancouver Art Gallery. Vancouver, BC. Canada. (Lecture to coincide with exhibition Monet to Dali: Modern Masters from the Cleveland Museum of Art). June 24, 2007.
“McLuhan, Smithson, and the Site of Photography” Alberta College of Art and Design. Calgary, AB. Canada. November 7, 2006.